Click the character to replay. Press Try drawing to write it yourself.
木 is a pictograph of a tree seen whole. The vertical stroke is the trunk; the horizontal near the top is the branches spreading; the two diagonal strokes at the bottom are the roots reaching into the ground. The oracle bone form is more naturalistic (branches curl outward, roots curl down), and the modern character is a schematised version of the same image.
The pictograph is durable enough that once you see it as a tree, every later character containing 木 starts to read as "something to do with a tree or wood." This is one of the most productive radicals in the script.
Add a single stroke to 木 and you get another character that picks out a specific part of the tree. These are some of the oldest indicative compounds in the script.
- 本 (běn) , a stroke at the bottom, marking the root. Extended meaning: origin, foundation, the fundamental. 本来 (originally), 根本 (fundamentally), 书本 (book , "root-thing").
- 末 (mò) , a stroke at the top, marking the tip of the branches. Extended meaning: end, tail, tip, the trivial. 末端 (the tip), 周末 (weekend, "week's end"), 本末倒置 (běn mò dào zhì, "to put root and tip backwards" , confused priorities).
- 未 (wèi) , a shorter stroke at the top, looking similar to 末 but with the added stroke shorter than the branch below it. Means "not yet." A separate character now, but shares the tree-pictograph origin.
- 朱 (zhū) , a stroke through the trunk, originally marking a particular red-wooded tree. Now mostly a surname and the sound component in many characters.
松 sōng (pine), 柏 bǎi (cypress), 柳 liǔ (willow), 桃 táo (peach), 梅 méi (plum), 杨 yáng (poplar), 楠 nán (Phoebe tree). Every named tree in classical poetry carries 木.
桌 zhuō (table), 椅 yǐ (chair), 床 (bed, older form 牀), 板 bǎn (plank), 棍 gùn (stick), 柱 zhù (pillar), 梁 liáng (beam). The furniture of traditional life was almost entirely wooden, and the vocabulary records it.
枝 zhī (branch), 根 gēn (root), 叶 yè (leaf , simplified from 葉, which has 艹 grass-radical rather than 木, but the family is clear), 果 guǒ (fruit , showing a tree with a fruit at the top), 花 (flower, now under 艹).
植 zhí (to plant), 栽 zāi (to cultivate), 枯 kū (to wither), 朽 xiǔ (to rot). The life-cycle of wood from planting through decay has its own small vocabulary.
Chinese compounds "tree" visually to get "forest":
- 木 (mù) , one tree.
- 林 (lín) , two trees side by side: a wood, a grove, or a concentration of things (武林 wǔlín, the "martial grove" , world of martial artists).
- 森 (sēn) , three trees stacked: a forest, and by extension "dense, dark, severe" (森严 sēnyán, stern; 森林 sēnlín, a proper forest).
The progression from one to many by repetition is a pattern used elsewhere in the script: 人 (rén, person) → 从 (cóng, follow) → 众 (zhòng, crowd); 火 (huǒ, fire) → 炎 (yán, flame) → 焱 (yàn, blaze). The character system is transparent enough to make these stackings feel natural rather than arbitrary.
Wood (木) is the phase of spring, the direction east, the colour green/blue (青 qīng), the liver in the body, and the planet Jupiter. In the generative cycle, water feeds wood (rivers nourish forests); wood feeds fire (trees become fuel). In the destructive cycle, metal overcomes wood (the axe fells the tree); wood overcomes earth (roots break rock). This structure organises Chinese medicine, divination, traditional calendar computation, and the cosmological poetry of the Han dynasty onward.
- 东dōngeast; eastern
- 五wǔfive; the organizing number of correlative cosmology
- 人rénperson, humanity
- 仁rénhumaneness, the kernel of human relation
- 关guānto close, to concern, the frontier pass
- 十shíten; complete; cross
- 千qiānthousand; a vast, uncountable many
- 土tǔearth, soil, local, native
- 女nǚwoman, female
- 字zìcharacter, written word
- 想xiǎngto think, to want, to miss
…and 22 more pages containing 木.